is his most romantic and most verbose (the constant banter looks like foreplay). Though the laconic Hawks would downplay his very own proto-feminism throughout his daily life, the film is also his most liberated; sturdy Gals who experienced Employment and ran with newshounds ended up simply just what he desired to see. Most wonderfully, this comedy

honors and deconstructs its supply content in equivalent measure, manufacturing an absorbing journey that casts a fantastical spell. concludes Joachim Trier's Oslo Trilogy by using a romantic comedy that delightfully subverts the style's perfectly-worn tropes. The Artistic fecundity of Rainer Werner Fassbinder, lifeless from an overdose at age 37